Inter-Others, by Reishu Fukushima + Satoshi Fukushima

Inter-Others

by Reishu Fukushima + Satoshi Fukushima

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Edition of 300 copies / Including DL card

Liner Notes by Masahiro Miwa | 三輪眞弘
Comment by Rikako Nagashima | 長嶋りかこ
Cover Photo by Yukihiro Yoshihara | 吉原悠博

Includes unlimited streaming of Inter-Others via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

shipping out on or around May 15, 2024

edition of 300 24 remaining

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[SIGNED] Test Pressing 12" Vinyl
Record/Vinyl + Digital Album
"Inter-Others" LP test pressing SIGNED by Reishu Fukushima + Satoshi Fukushima

Comes with liner notes (Japanese only)

Includes unlimited streaming of Inter-Others via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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	1.	《#33》(2021) / “#33” (2021) 13:14
	2.	《 I 》尺八とコンピュータのための(2022) / “One” for solo shakuhachi and computer (2022) 08:44
	3.	《主題と変奏》尺八とコンピュータのための(2023) / “Theme and Variations” for solo shakuhachi and computer (2023) 15:16
	4.	異なる時空における即興 (2022) / Improvisation in different time-spaces (2022) 03:09

about

【作品紹介】
尺八とコンピュータで呼応する、新潟の親子が交わした「時間と音」の記録を巡る福島家の電子音響ダイアリー。

1990年代に佐渡での村松流尺八との出会いをきっかけに尺八奏者として演奏・即興を始めた福島麗秋。その彼の息子であり、リアルタイムなコンピュータ処理によって奏者との対話的かつ未知なる電子音響の可能性を探求する福島諭。今作は新潟の父と子からなる親子ユニットの記録として綴られた初の＜アルバム＞作品。深い息遣いをみせる身体的な尺八の演奏をコンピュータで分解・加工処理で即時応答し、現在に過去を進行形で重ね、未だ見ぬ新たなる音像を多層的に創出していく。過去と現在、身体と機械、分解と構築、間と動作、作曲と即興。相反するふたつの事象／現象を行き交い、やがてその境界線で根を張り、まるで艶やかで柔らかな花びらが開花するように、電子音響レイヤードは凛と美しく、未来へと眩しい輝きを放っているかのようである。

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[INTRODUCTION]
An electro-acoustic diary of the Fukushima family that records the "time and sound" exchanged between a parent and child in Niigata, using shakuhachi and a computer to respond.

Reishu Fukushima began performing and improvising as a shakuhachi player after encountering the Muramatsu-style shakuhachi on Sado in the 1990s. His son, Satoshi Fukushima, explores the possibilities of interactive and unknown electronic acoustics with players through real-time computer processing. This work is the first "album" of the unit consisting of a father and son from Niigata. The physical shakuhachi performance, which shows deep breathing, is instantly responded to by being disassembled and processed using a computer, and the past is layered over the present in a progressive manner, creating a new, never-seen-before sonic image in a multi-layered manner. past and present, body and machine, decomposition and construction, betweenness and movement, composition and improvisation. The electro-acoustic layering is dignified and beautiful, moving between two contradictory events/phenomena, and eventually taking root at the border between them, like the blooming of glossy, soft petals. It is as if they are shining brightly into the future.

credits

released March 22, 2024

All compositions, recordings and sound treatment by Satoshi Fukushima / Front cover photography taken at Yoshihara Photo Studio by Yukihiro Yoshihara / Photographic assistant and video trailer by Naoko Hasegawa / English translation by Naoko Yamada / Art direction and design by Masato Hoshino

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